Modern dance Hu Zonghan thought illumines the road ahead is Hu Zonghan
this very important basic theory school representative, the second person in the world did not come to the dance writing papers.
Attractive people are responsive to beauty and there are sensitive people.
Hu Zonghan school dance rhythm theory (next)
Hu Zonghan September 22, 2008 in Chengdu
directory one, as a dance based on two Huzong Han Yun Theorem
(b) of the Hu camp is a high degree of scientific and artistic unity of dance
three, the middle in front of the center of both the emotional center is also a mechanical
(a) of the diaphragm from the mechanics, it must be tight Micro stickers affixed to the abdomen
(b) transmission of information from the two sides close to the abdomen is slightly attached to the diaphragm
(c) of the lead dancer is lead dancer with the body, not a hand or foot lead dancer with the dance is the body with dance, not the hand or heel dance
(d) from both the induction and coordination of emotional harmony, it must be close to the diaphragm, abdominal micro-paste
IV Rhythm in the past about the diary
( a) Hu Zonghan theorem: rhythmic movement, rhythm and music rhythm should be ambiguous between the corresponding fuzzy
(b) Hu Zonghan theorem: the body of the rhyme rhyme from the gas, gas from the love of rhyme rhyme
(c ) should pay attention to the mere existence of the technical from the emotional atmosphere
) Hu Zonghan Theorem: rhythmic movement, rhythm and music rhythm should be ambiguous between the corresponding fuzzy
August 11, 2002, Sunday
today's diary, I on the which hard to say clearly, is not learn ballroom dancing in the early 1999, Lao Zhu said that I made on the r l boundary melodic cells ;.
first paragraph of the discussion is Nietzsche pure; it the shadow cast in terms of ideology, so that flickering. As the shadow of the same is necessary for the landscaping, non-pure thought a tulle cover in their daily lives.
the above quotation in the a:
Why rhythm rhythm to the rhythm of landscaping
cast a layer of gauze: it created a rhythm impure; it is the shadow cast in the rhythm, so that flickering. As the shadow is necessary for the landscaping the same, even can not be clear. it is always changing, there is not a fixed rhythm; and it is often vague, often hard to identify; even with a song, it is often the feeling of the rhythm from person to person different, this is more a manifestation of the ambiguity of it.
to say, ambiguity, including three:
first is not fixed.
second is not clear.
third is more or full of ambiguity, richness: cross as many different angles, near and far different level. all great works are rich and multifaceted, that is, has more meaning. San Francisco, the Chinese attacked Zhang Yimou's House of Flying Daggers, and clear set of a wonderful rhythm to the music, tied like a dog with a rope tied to an elephant.
second paragraph of the discussion is Nietzsche br> poet grand chariot with the rhythm of luck to his thought; usually do not walk because of this idea.
Nietzsche here refers to to without even thinking.
Dancers are the athletes of God .--- Albert Einstein
dancers are athletes sent by God. mm Albert. Einstein
dancers are athletes angel . mm Albert. Einstein (Zonghan translation)
athletes in general is the In other words, it is fuzzy rhythm.
with a drum within the scope of the music is not. Even if the music with a beat, we do not listen to the drums. We only discuss the music itself, ignoring the drum.
the so-called music its own rhythm, it is relative to the drum's. Since we only discuss the music itself, ignoring the drums, then the rhythm of that music itself can be referred to as the rhythm of the music.
three music:
first music, its rhythm is fixed and clear, and one hears out. The vast majority of Chinese music are like this. For this music, dancing to Fuzzy processing it, not to dance and every actions fall it was a fixed rhythm, but to fall on its rhythm.
second music, its rhythm is fixed, but not clear, not easy to listen to it. The majority of foreign music like this The. tend to listen to music in triple time into four beats, often to four-beat music to listen to as triple time, although the rhythm is fixed because it is not clear reason. For this music, in fact, do not bother to distinguish it hard What is a fixed three-beat rhythm, or four beats, just to feel it with the heart rhythm, dance and movement to every fall on the rhythm of it can be.
third music, its rhythm is not fixed and therefore there is no rhythm problem is clear. Many foreign music like this. For this music, it does not have a fixed rhythm. you are struggling to bother to identify whether its fixed rhythm of three beats or four beats, will only waste of time, to no avail. just to feel it with the heart rhythm, dance and movement to every fall on the rhythm of it can be.
fact, since it is jumping rhythm, then fixed and uncertain rhythm Music (Most Chinese music is so), not only useless but harmful: it is clear that the pace of fixed and will be our jumping rhythm disturbances and obstacles, we will only be tied, bound us, makes it difficult to free play. < br> hop flavor is jumping melody. melody since it is the inner impulse to reflect the music, the rhythm of the pace in terms of it can never be fixed.
First, of course, the speed of the rhythm, but more than just speed. Rhythm is also reflected in the strength of the intensity, amplitude, and so on. Furthermore, any comparison, are all rhythm. Therefore, comparison of the speed of change, changes in the strength of the contrast, compare the size of change is the rhythm, masculine feminine changes contrast, density contrast change, comparison of right and wrong changes, changes in static and dynamic contrast hh is the rhythm.
Therefore, the concept of rhythm is not only time but also the concept of space. or, as the rhythm is the contrast, then the rhythm is not only space-time concept, but also feelings and emotions change in three. For example, among the twenty-nine days a month happy, unhappy day, and this is the rhythm. If the month of thirty days and every day, year for three hundred sixty days, every day happy, life is always a happy day, not a day are not happy, there is no rhythm of the.
no comparison no art.
on the basis of the above knowledge, you can see I wrote this passage is the following How accurate and incisive:
so-called , cadence, elastic relaxation changes in time allocation can not be fixed, or can not be clear. it is always changing, there is not a fixed rhythm; and it is often vague, and often hard to identification; even with a song, its sense of rhythm often vary, this is more a manifestation of the ambiguity of it, but also the richness of it or full of, the embodiment of ambiguity.
music than more spiritual and literary ambiguity. Thus, compared to literature, painting, music performance state of mind more and more to moving. and dance, the performance of state of mind more than music, more capable of moving.
so have to give up dance dance talent is the biggest betrayal of their own, is the most fundamental of their most thorough buried.
quotations inspired by Nietzsche, for rhythm and not to fixed jump have a more in-depth understanding of rhythm After look at the argument, to deeper understanding. Since the music is more than literary and spiritual ambiguity, as compared to literature, painting, music performance state of mind more and more to moving, since the dance is more than music can show state of mind, more to moving, then, Zhang and Xiaoyuan dialogue about music are as follows.
me: the rhythm of its own too clear, too fixed, you limit the wearer, there is no room for your own treatment, that there is no room for you to dig, let you go play, that is, no water. foreign music not only failed to drum , and the rhythm of the music itself is not so clear, not easy to hear the rhythm of its obvious. is precisely because of this, it provides a handle for the dancers room to deal with your own rhythm, you With the play space. that is, flexible in rhythm of foreign music, allowing dancers deal with their own. such as you two and another pair of dancers, foreign music in the same song to dance, you two pairs of dancers Treatment can vary the rhythm, so you can reflect the different styles and personalities. had very dead. had a certain section in the jump Lunba, we want to do more while to enjoy, but the music will not let you do more while, it forces you to follow it their way. So we just feel the music in the ballroom dance can not have fun, not full, it is difficult to jump out of taste. , but can not say that he was in). In my book, p. 239 written comments on, mainly on the charm (rhythm). In order to facilitate discussion of the past with reading, writing here.
owned China Yun waiting for Each movement begins and ends.
3, various parts of the body with the harmonic motion of.
My comment is as follows.
the above three is available, is the dance.
Dance Forms of these three characteristics are caused by the rhyme, but rhyme is caused by the situation, therefore, the essential characteristics of dance is only one word: love.
gymnastics, acrobatics , martial arts, tai chi hh three characteristics do not meet in the dance form at least one, so they are not dancing,
not even art, but is relentless, so they are not dance, or even not art.
love (feelings, emotions) lead to rhyme (flavor, rhythm), Yun (flavor, rhythm) results in the rhythm (the body grooves).
love (emotion, emotional) r rhyme (flavor, rhythm) r rhythm (the body grooves)
abbreviated as:
love r r rhythm rhyme to rhyme
from emotion, to the rhythm of the body, is made in the form in which outside. That is, the body rhythm feelings and emotions as by the dynamic forces generated
, specific to the operational level, the music brings love people, people who feel that the intelligence led to the charm and flavor control person's breathing and heart beat, respiration and heart beat through, people have involuntary rhythm of the body. This known as out of rhythm, of course, impossible and music rhythm (2 / 4, 3 / 4, 4 / 4 and the like) exactly the same. That is, music brings people love, people who feel that the intelligence led to the charm and flavor to who produced a body of involuntary rhythm. Tracing the source, of course, the rhythm of the body from the music, but the rhythm of this rhythm and music rhythm is not always exactly the same. because the music tempo (2 / 4, 3 / 4, 4 / 4 and the like) is a rational (can be computer processing, is the rational signs and criterion), and although the music was aroused, it was a feeling and mood dictates the rhythm of the body, but irrational.
r r rhyme rhythm conditions, so that the rhythm generated as irrational, so it can only be vague, uncertain, ambiguous.
body rhythm and music rhythm rhythm (2 / 4, 3 / 4,4 / 4 and the like) the relationship between the two-sided:
the one hand, the body's rhythm and music rhythm rhythm is not always exactly the same, because the rhythm of the body is feeling and emotion as the driving force generated and therefore irrational. music rhythm (2 / 4, 3 / 4, 4 / 4 and the like) are rational (which can be handled by the computer, is the symbol of reason and criteria).
the other hand, the body rhythm and rhythm is not completely out of rhythm and music, this is because the body rhythm since it is powered by the feelings and emotions as coming out of the feelings and emotions is not a vacuum, nor is it free to produce, but the music is evoked by a particular The. As a result, the rhythm of the body is bound to the rhythm and music rhythm also are intrinsically linked. Note that this needs to be emphasized rather than the intrinsic contact form.
above, may make a Huzong Han theorem:
body rhythm and music rhythm rhythm (2 / 4, 3 / 4, 4 / 4 and the like) should be ambiguous between the fuzzy mapping.
and WangSP dance in which there are deep feelings.
corresponds to the so-called fuzzy ambiguous, specifically is this:
musical rhythm (2 / 4, 3 / 4, 4 / 4 and the like) like a fixed time oscilloscope pulse train, the rhythm rhythm of the body like the burst was detected, these various pulses and timing pulses do not always coincide, but it rhythm of the body is big pulse, these were a dynamic (large pulse) must fall on the timing pulse.
to see me in the past made this concept the of it is brilliant.
Although the rhythm determines the rhythm is not fixed, unclear and vague, more ambiguous, but all this does not mean that uncertainty does not mean random. This is because no matter how is not fixed, not clear, and ambiguity, ambiguity, rhythm always quantifiable. quantified talking about here is quantization, which is digital, as opposed to continuous or analog of the terms of the. that is, No matter how irregular, unclear and ambiguous, ambiguity, rhythm is always the smallest basic unit of composition.
as Planck said that energy is a copy of it, Hu Zonghan that rhythm is also a A copy of the.
as light as a wave-particle duality, Hu Zonghan that rhythm is wave-particle duality: from the macro that you feel the rhythm and flavor, or rhythm, speaking from the micro , which is actually a copy of the a dance with the same individual, the rhythm of today and yesterday to deal with different. But no matter how different, can only be primitive on the rhythm of the smallest on different combinations of treatment, but can not and should bring a separate minimum base element split to deal with. like there are a pile of peas, you can divide them into several small reactors, but regardless how you can not split the capsules of peas, split into half a half a tablet, or split into one third of the grain, two thirds of the grain and then to be divided into several heaps hh.
why I have proposed ; split, split into half of the half.
the boundaries of melodic cells one by one into the hh and two thirds to be divided into several piles. that people are not learning, but rather a lack of innate musical sense, there is no way to change him. This man is not a dance material.
on Every movement or body should be in the rhythm rhythm of the music they are nothing but (2 / 4, 3 / 4, 4 / 4 and the like) on the timing pulse.
three basic elements: rhythm, rhythm, composition. thus clear that the rhythm is not rhythm.
three types of dance: rhythm-based dance, rhythmic type of dance, composition type of dance.
rhythm-based dance rhythm dance thus highlighting the sense of rhythm soften the action moves at the rhythm of being continuous. rhythm-based dance with gentle stretching lines stretch, the passion deep culvert characteristics of the inner meaning, for the performance of rich emotional inner beauty with beautiful and elegant, full of lyricism and expressive.
smooth rhythm to form a stable sense of rhythm to the shape of the smooth coordination of sense. smooth, not a rhythm a rhythm; smooth, not without twists and turns maneuver without conflicts. smooth like the changing of the smooth writing : both layers of dark clouds rolling, there are clouds floating blossoming; both may be sandwiched clouds roll in thunder and lightning, thick clouds of thick transmission will be out in ten thousand rays; both the acute and the drain water flowing, but also Juan thin trickle of water drip spring; both surging stormy sea, but also the impressive waterfall spilled tide turned hh
further in-depth understanding of classical charm.
figure is static, the dynamic agility of technology and body art of rhyme is a dynamic, grace temperament, graceful.
(Note: In the old Peking Opera, the only general ; posture sense. Many have mastered the technology of ballroom dancing was a good companion, good sense of music, dancing with the companion will not because she mastered ballroom dancing techniques and act in harmony; but there are not ballroom dancing, dancing only dance hall of a female, because of their good sense of music, but to a tacit agreement with them to dance, of course, I could not put the cost of action to do specifications.
(b) Hu Zonghan theorem: the body of the rhyme rhyme from the gas, gas love the rhyme rhyme
Hu Zonghan Theorem:
diary from the above rhythm from the atmosphere can understand ups and downs, ups and downs breath from emotional ups and downs.
body has rhyme, because gas a rhyme, a rhyme gas, because the situation there is rhyme.
Where is the simple to trouble in breathing.
Where is the simple increase in breathing, breathing can be trouble down the.
Furthermore, even breathing, increased breathing even, down breathing, mechanical, definitely not the insisted that every rise in every match exactly and a decline in both respiratory cycle with conscientiousness. If I did anything, the machine to dance, not the living dance.
In my last article I introduced the serialized over the true feelings of life into art. difference between art and non art lies in whether the sentiment.
dancing with the internal forces is to use breath to dance, all the action (active for and micro-action) are brought out by the atmosphere.
part of the rhythm is rhythm, rhythm, including rhythm, but also something more.
order not to As mentioned earlier, and action takes time to change, that is, the speed of change.
we can define the general rhythm, the rhythm that is commonly referred to. I generalized the definition of why the pace of the rhythm of it? any changes can be viewed as the rhythm, whether it is time sense of change, or significant changes of space, as long as change, there is contrast, is the rhythm.
either narrow or broad tempo rhythm, all in all change, all changes are changes from the atmosphere, and fundamental changes in the atmosphere is dominated by the emotional ups and downs. upsurge of the so-called hard level. upsurge is the emotional ups and downs, it is a direct result of breath occurs ups and downs, ups and downs atmosphere leads to changes in systolic and diastolic muscle, resulting in action in time and spatial variation, that is, the rhythm of narrow and broad, or is the rhythm, flavor.
dance with flavor is to use emotions to dance, to dance with the sentiment. feelings will not help the production of flavor, created out of this there is a change of atmosphere, a variety of changes: changes in priorities, changes in thickness shades, deep and shallow changes, we change as rhythm, or that flavor. because there is a flavor of love, so by the feelings arising out of breath is a charm to bring out flavor is a flavor of action was.
Therefore, flavor problem, the problem with the internal forces of dance, the final analysis, the problem with the breath of dance. And dance with the breath problem fundamentally is not technical but the sentiment sincere and focused questions.
increased breathing, decreased breathing exercises breathing techniques should not be overemphasized, however, in particular, it should not be placed in hard martial arts practice on, do not think that is such a breath dancing with the breath, that is, have the charm of the.
a popular concept in recent years, the so-called dance dance make soft, soft, jump, jump out to charm. It is said that there is a kinds of technology, this technology can and dance to soft, soft, jump, jump out to charm. This is said to be soft and dance, jump soft flavor of the technology out of breath aspect is breathing techniques, and breathing is the core technology increase in breathing, breathing down. Many people have this technology as a panacea, receives congratulations. Many people spend lots of money to study at the teacher, in order to learn the mystery of breathing technique.
I have a dance girlfriend of Zhao, the third sister she is a friend of the ballet. She put the years of endless year-round practice breathing techniques there. In her view, in addition to her third sister, and a ballet teacher to teach outside The rest are all day, where she was a person to practice touch to touch the so-called breath, even dancing is how the body have not experienced the same thing throughout the year put the years in practice, where the so-called atmosphere, so-called soft skills. I want her side Step Let me see, the result is pushed further promote it, to walk in there, swing is not even a shadow, but also went over. She practiced breathing for several years, so-called soft martial arts, and the results of even the most The basic steps will not work. She said her own muscles and joints are weak, no power.
she is just one example, many people like her enough, and growing. even been publicly declared : I like how smart people can not imagine a world body does not actually have flavor dancing and ballroom dancing. I think that attention to soul, spirit, such as Hu Zonghan who attach importance to this world fear it is rare. But never Hu Zonghan do not think you can leave the body and the soul alone. no bones strong meat, even the most basic steps you have done, even your body movements are so simple can not afford, then no matter how good your breathing and trained What is the significance? what use it? not strong body to dance, the beautiful soul you live here? bear your body atrophy, malaise, audience and what to see you through that wonderful flavor it?
her and those superstitions First, you do not put your stronger material basis, and waxed strong, yet they had the body is unable to pursue limp soft, it is already soft, and soft to even the basic steps have done well, but also soft, soft as a pool mud up?
I wish to reiterate old saying goes: The real gentle belongs only to the strength of the strong person.
So the only realistic way can be hard in the Soft. Let us not say so much, Do not expect so much, just-do, put on your bones strong and together say the meat. When you meat or bones weak, I tell you, you have no say, and you have no choice. you can do only one thing: go to hell to temper your body go. When Make reinforced steel frame, and when you have qualified to talk about soft issues, rhythm problems.
breath technology Huzong Han's second theorem comprehensive account should be: integrity, time, meaning and significance of the overall space. But in order to highlight the most important point, so I used this narrative technique Hu Zonghan mmm atmosphere second theorem: an extension of the line or the body. In The second theorem of the previous discussion on Hu Zonghan in the atmosphere should not be talked about simply as breathing, but should be seen through the overall atmosphere, and cited many examples, are not repeated here.
(c) to note the existence of from the emotional atmosphere of pure technical
are writing this article, to watch the CCTV music channel. and a woman has two soloists contrast, reminded I noticed an alarming phenomenon, that is there forward from the emotional atmosphere of pure technical.
first a male solo, song called set, the girls sent to greet the glow of public grain tractor. clichés, slogans, and even a harsh word can not. music is vulgar, it is ugly. regardless of lyrics, there is no one to think of feelings in order to meet the hard job out there to the, a Ganhao, artificial, posturing. can be said that emotional content is close to zero, and the songwriter's artistic skill is also close to zero. I have made a songwriter out casually picked two better than It is a hundred times stronger.'s technology can be excellent soloists, and his breath is very good, Ye Hao Qi Shen Dan Tian, the first cavity resonance, it is all done very properly in place, a voice to remarkable. In short, the atmosphere The technical level is almost perfect. However, the song itself is too bad it was impossible to arouse the feelings of an actor, he had no way to true feelings to generate atmosphere and controlled atmosphere. So, his breath is purely technical, emotional content close to zero. I, as the audience, his voice can play eight great technically, but can only hit zero in the art. This simple technical atmosphere is issued to the song not the slightest touching, there is no beauty, no charm. what charm, what rhythm, not even a shadow.
followed by a female vocal solo, song called technology in the atmosphere is much less than the actor. But in the lyrics as the songs themselves are rather good, songwriter has a sincere heart activities are to be created, the works of art are also, although the technology which actors the almost, that song still sounds sweet, but also has some charm really. She finished before I leave the TV to go outside, ears still echoing with the sound.
I then think of the last century, thirty s on the beach with Hee-moon dance class followed by eating a little big pot-like popularity of singing too busy training to perform for a living, there is no formal vocal training. What is breathing, what breath, she will not know more than I, more than I would not even meet with the breath to sing. She conquered the entire Chinese people, on what basis? Moreover, since the , in such a long period of time, sang the songs of various genres of singers, singers, singer, recording these songs in the album's singers and singers, how the number, it is not even record companies and radio stations not statistics. In these stars and singers The overwhelming majority of people in the singing breathing techniques, far more than Zhou Xuan. The strange thing is, until today, no one's voice able to Zhou Xuan's song from the audience mind erase. If my parents generation for Zhou Xuan's song is prejudiced, then I should be more objective and fair, right? If I in my youth also Zhou Xuan first ...
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